![]() Scents (At one point it smelled like we were in an old dusty attic) The water effects can be turned off, but my friend turned it off and still got wet, so be warned) I'm very curious to know how that worked. ![]() Water/mist effects (At one point, the movie showed a shot of it raining outside and it really felt like I was in the middle of the rain, although I didn't get that wet. Smoke/fog effects that would occasionally fill the theater (At one point this was combined with wind effects, which was really cool) Sometimes it felt like a nice breeze, other times it felt like the air was spiraling around me) Wind effects (It seems like this is advanced enough to have some nice variety to it. Personally the movie theater I went to had following effects from what I noticed/remember:įull moving seats (The seats really move too, basically the equivalent of what you would find at a theme park) It makes me wonder if 4DX implementation is something that movie critics will factor into their reviews in the future. I thought The Conjuring did a really good job with implementing the 4DX effects, although it was my first experience with 4DX so I suppose I would've been amazed no matter what. If the 4DX effects are implemented poorly, it can make the experience feel more like a gimmick. If the 4DX effects are implemented well, it can really make a movie feel 10x more immersive. The implementation of the 4DX effects is basically an art in of itself. The quality/quantity of the 4DX effects most likely depends on the theater that you go to, and how well these effects are implemented probably varies by movie. It should be noted though that YMMV heavily, I imagine. I feel the same excitement for 4DX as I do for VR games, where it makes the experience feel more impactful because it's much more immersive, and it feels like the medium has finally adapted to the modern age. Obviously I don't think 4DX will ever replace 2D cinema completely, there will always be a demand for that for obvious reasons, but 4DX really does feel like the natural step forward. In the age of streaming and piracy, 4DX is absolutely the future of cinema and I'm all here for it. Holyyyyyyy crap did that exceed my expectations. this will probably be some gimmick that I'll try once and never try again. I've never seen a movie in 4DX before, and I'm not gonna lie I went in with very low expectations. Visit our Audience Advisories page to learn more.I just saw The Conjuring: The Devil Made Me Do It in 4DX. "A rock orgy of volcanic power, and the greatest concert film ever made." - Matt BrunsonĪny film screened at IU Cinema may contain content that viewers find sensitive or upsetting. "This movie is pure fun and sheer exuberance transferred onto celluloid and perfectly re-created at the other end." - James Beardinelli, ReelView "Byrne is the auteur here Demme is the rare, generous sort of filmmaker who would emphasize that." - Josh Larsen, LarsenOnFilm Stop Making Sense is close to perfection.” Upon its original release, critic Pauline Kael wrote, “A dose of happiness from beginning to end. Making technical history as the first concert film made entirely utilizing digital-audio techniques, Stop Making Sense was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983 and features Talking Heads' most memorable songs, Demme’s creative genius, and the band’s explosive energy, making the film an exhilarating and exciting event. Newly restored in 4K and universally acclaimed as one of the best concert films ever made, Jonathan Demme’s Stop Making Sense documents the groundbreaking band Talking Heads at the height of their career, starring core band members David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison along with Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry, and Edna Holt.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |